Color Photography
I see color like a whisper through fog—faint, elusive, but unforgettable when it breaks through.
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My color vision is shaped by protanopia, which means much of the spectrum fades into a quiet fog of browns and greys. Pastels vanish. Subtle shifts between greens and yellows, blues and purples, are lost on me. To hold my gaze, a color has to break through with unapologetic intensity. That’s why my color work leans into bold contrasts, saturated tones, and deliberate composition—pulling each hue forward until it commands the frame. If it’s in color, it’s because the color matters.
